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By then, he had become well known, having exhibited at many art shows. The windows, intended for a synagogue under construction, would symbolize the twelve tribes of Israel.\u003c\/p\u003e\n\u003cp\u003e\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003c\/p\u003e\n\u003cp\u003eWorking closely with master glass-makers Charles and Brigitte Marq from the renowned Atelier Simon, located in Rheims and dating to the 16th century, the artist threw himself into this large-scale project. The windows were inaugurated in 1962. Five preliminary stages were required to create the maquettes. The designs were worked out on small and medium-sized sheets of paper using pencil, India ink, watercolors, gouache as well as fabric-and-paper collages. Each technique and each stage allowed the artist to place the iconographic elements in accordance with his own reading of the Old Testament text. 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